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News / Upcoming:
Recent recipient of Massachusetts Cultural Council
Artist Fellowship (Sculpture), the Blanche E. Colman Award and
the Visual Arts Sea Grant.
My work is included in the upcoming book publication
of Data Flow 2: Visualizing Information. The publisher
is Die Gestalten Verlag, an international publisher
of books and other media on art, design and visual culture based
in Berlin,Germany.
Exhibition / Artist Talks:
2010:
Feb 1 27th Sarah Doyle Gallery, Brown University
(Providence, RI)
Nathalie Miebach (solo show)
Feb 17 - June 8, 2010: "185th Annual Invitational
Exhibition of Contemporary American Art", National Academy
Museum, New York, NY.
Website nationalacademy.org/index.asp
March 3 April 4: Transformations,
group show with Ken Takashi Horii, Crudelle-Janello, Thomas
Lyon Miles and Nathalie Miebach, Jewett Gallery, Wellesley College,
Wellesley, MA.
March 14th, 3pm Lillypad (Inman Square) Cambridge,
MA
Musical performance of Nathalie Miebachs 2D/3D musical
score Hurricane Noel by the Axis Ensemble, a Boston-based
musical ensemble focused on new music. Other pieces in the program
include John Adams Road Movies and works by
Elliot Cless and Jason Coleman.
March 22nd, 11am, Salem State College, Salem,
MA Artist Talk
April 16th, Kent State University, Akron, OH
Artist Talk
April 22nd , noon, Montserrat College of Art,
Beverly, MA Artist Talk
May 2nd, 4pm. "Weather", Duxbury Art
Complex Museum, Duxbury, MA
Elaine Rombola, pianist, will have a recital exploring the theme
of weather. Her program include pieces by Beethoven, Chopin
and Debussy as well as two pieces we have been collaborating
on. I will bring one of my sculptures to this concert.
http://www.artcomplex.org/
May 29 Jan 16 (2011): The New Materiality:
Digital Dialogues at the Boundaries of
Contemporary Craft, Fuller Craft Museum, Brockton, MA
Sep 3 26: Open Air , group
show with Matthew Best, Carolyn Muskat, Ted Ollier, Jason Shoemaker
and Nathalie Miebach. Nave Gallery, Somerville, MA.
Reception: Sept 25, 6-8pm. As part of the reception, Elaine
Rombola and Nathalie Miebach will be performing some of their
collaborative musical work on both piano and organ, based on
weather patterns. The concert begins at 6:30pm.
www.artsomerville.org/nave/2010/openair.html
Oct 7 Nov 18, Weather Scores,
Nathalie Miebach (solo show). Gordon Gallery, Boston Arts Academy,
Boston, MA. www.edline.net/pages/Boston_Arts_Academy
2011
Jan 15 Sept 25,Changing Waters,
Nathalie Miebach (solo show), Fuller Craft Museum, Brockton,
MA. www.fullercraft.org/home.html
Teaching:
Sculptural Weaving
Course Description: This course teaches various
three-dimensional weaving techniques to be applied towards sculptural
purposes. Based on weaving traditions that go back thousands of
years, students learn the fundamentals of basic basket weaving
techniques: twining, plaiting, random weave, and coiling. Through
the use of traditional and non-traditional materials, students
learn to use these techniques as a springboard to adapt, integrate,
and explore their own sculptural interests and material choices.
Every technique being taught is complemented by slide lectures
and discussions examining the adaptations and significance of
weaves in contemporary and traditional cultures.
Jan 26- May 4, Massachusetts College of Art
Continuing Education, Boston, MA
www.massart.edu/Continuing_Education.html
Feb 22 April 2nd, Montserrat College
Continuing Education, Beverly, MA
www.montserrat.edu/continuing-ed
March 13th, Wellesley College, Wellesley, MA
June 1-July 22nd, Massachusetts College of Art
Continuing Education, Boston, MA
www.massart.edu/Continuing_Education.html
June 21-25, Anderson Ranch Arts Center, Aspen, CO
www.andersonranch.org/
July 24-31, Art New England Program,
Bennington College, VT. This program is administered through Massachusetts
College of Art, MA.
mart.massart.edu/ane/
Random Weave workshop
Massachusetts College of Art
Nov 13 & 14, Saturday /Sunday 10am 4pm.
Continuing Education, Boston, MA. Random weaving, one of the freest
and most flexible of all 3D weaving techniques, allows students
to quickly create large, small, dense, or open structures. The
weave functions like a 3D drawing tool. Participants explore the
ways it can be used to create tension, surface patterns, textures
and forms. Using non-traditional and traditional materials, students
learn how to start their weave free-form or with cardboard molds
to quickly create 3D structures as dense as a beehive or as open
as a single line in space.
pce.massart.edu/courses/fall10/workshops/index.shtml
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