NATHALIE MIEBACH

News / Upcoming:

I recently gave a talk at the TED Global 2011 Conference in Edinburgh, United Kingdom – July 11- 15, 2011, as part of my TED Global Fellowship (www.ted.com/talks/nathalie_miebach.html)

Recent reviews / publications / grants include:

TED Global Fellowship 2011
Pollock Krassner Award

Print / Online reviews:

New York Times:
http://www.nytimes.com/2011/07/10/business/science-to-art-and-vice-versa-prototype.html?_r=1&ref=global
July 10, 2011

The Atlantic:
http://www.theatlantic.com/life/archive/2011/07/musical-sculptures-translate-weather-data-into-art/241806/
July 12, 2011

Brainpickings:
http://www.brainpickings.org/index.php/2011/07/12/nathalie-miebach-musical-weather-data-sculptures/
“Musical Sculptures Translate Weather Data Into Art” July 12, 2011

Gizmodo:
http://gizmodo.com/5820341/this-is-a-hurricane
“You’d Never Believe This is a Hurricane” July 12, 2011

Reneweable Energy Magazine:
http://www.renewableenergymagazine.com/renewableenergy/magazine/index/pag/interviews/colleft//colright/interviews/tip/articulo/pagid/17990/botid/54/len/en/
Interview with Dan Cue, Nov 20, 2011

Radio/podcasts:

Siftpodcast
“The Sound of Chaos”, Dec 19, 2011
http://siftpodcast.com/?p=106

Sverige Radio (Swedish National Public Radio)
http://sverigesradio.se/sida/artikel.aspx?programid=1012&artikel=4636667



Exhibition / Artist Talks:

2012

Until March 4, Seeing /Knowing and Notations: Envisioning New Sound
Graham Gund Gallery, Kenyon College, Gambier, OH
http://gundgallery.com/
Seeing/Knowing features 15 internationally renowned award-winning artists working at the intersection of information and image exchange. Their provocative works vary from formal investigations to illustrations of data, expressed through a range of media, from painting to viewer-responsive interactive digital forms.
Artists: Diana Cooper, Andreas Nicolas Fischer & Benjamin Maus, Michael Joaquin Grey, Eduardo Kac, Rafael Lozano-Hemmer, Benjamin Maus & Julius von Bismarck, Emma McNally, Julie Mehretu, Nathalie Miebach, C.E.B. Reas, Matthew Ritchie, Camille Utterback, Jorinde Voigt, and Marius Watz

Notations: Envisioning New Sound explores new breakthroughs in the visualization of written music, and the diverse ways the musical score can be transformed. Inspired by avant-garde composer John Cage and his 1969 book Notations, Theresa Sauer has collected music notation excerpts from more than 150 contemporary composers around the world. Approximately twenty-five original scores will be exhibited in this small exhibition. These works challenge us to rethink how sight embodies meaning and how meaning is expressed as sound.

Nov 19 – March 18, 2012, The New Materiality
Asheville Art Museum, Asheville, NC
http://www.ashevilleart.org/
Group show that examines the impact of digital technologies on the world of contemporary craft.

Jan 12 – Feb 14, 2012, Climate Change Action
New England Institute of Art, Gallery at 10, Brookline, MA
Reception Jan 28th

Feb 3 – March 31, 2012, Random Access: Data as Art
Montserrat College Art Gallery, Beverly, MA
Reception, Feb 2, 5-8pm

Feb 27 – March 2nd, TED Active, Palm Springs, CA
http://conferences.ted.com/TEDActive2012/

March 14 – Apr 19, 2012, Illuminating Data: Visualizing the Information that Moves Our World
TCNJ Art Gallery, College of New Jersey, Ewing NJ

March – May, 2012, Weathered Weather – solo show
Hollister Gallery, Babson College, Wellesley, MA.
Reception March 28, 5-7pm

April 13 – Aug 5, 2012, The New Materiality
Arkansas Art Center, Little Rock, AR
Group show that examines the impact of digital technologies on the world of contemporary craft.

May 29-31, Thinking Digital Conference, Gateshead, UK – Artist Talk
http://www.thinkingdigital.co.uk/index.html

June 5-8, Eyeo Festival, Walker Art Center, Minneapolis, MN – Artist Talk
http://eyeofestival.com/

Sep – Nov, 2012 Johanssen Gallery / Direktorenhaus, Berlin.

Teaching:

“Sculptural Weaving”
Course Description: This course teaches various three-dimensional weaving techniques to be applied towards sculptural purposes. Based on weaving traditions that go back thousands of years, students learn the fundamentals of basic basket weaving techniques: twining, plaiting, random weave, and coiling. Through the use of traditional and non-traditional materials, students learn to use these techniques as a springboard to adapt, integrate, and explore their own sculptural interests and material choices. Every technique being taught is complemented by slide lectures and discussions examining the adaptations and significance of weaves in contemporary and traditional cultures.

Jan 24 – May 8, Massachusetts College of Art – Continuing Education, Boston, MA. Three-credit course (full-semester). Tuesday 6:30pm -10pm

Jan 20 – May 4, Massachusetts College of Art. Three-credit course (full-semester). Friday 8am-noon. MassArt Undergraduate or Graduate students only.

July 1 – 6, Fine Arts Work Center, Provincetown, MA – week-long, intensive course.